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    The Stranger (1946)

    Orson Welles and Edward G. Robinson look at each other.

    Every time I watch an Orson Welles movie, even one I am not head-over-heels in love with, it becomes more and more clear that the only kind of person for whom a question like “can AI recreate the work of Orson Welles?” could possibly hold appeal is “Guy Who Has Never Seen an Orson Welles Film” aka “Saddest Guy Alive.”